July 16th, 2014 § § permalink
So, there’s a new Weird Al album out. Which is not exciting as it once was.
However, there is one part of each Weird Al album that I do enjoy — the polkas. He usually has a medley or something like that. I don’t know much about his new album, but I do know that he has a polka cover of Daft Punk’s “Get Lucky.”
Imho, this is an awesome thing.
You can listen to it here.
July 7th, 2014 § § permalink
Hey, here’s a Ha Dong-kyun song that I totally missed out on, called “From Mark.” It’s like my song!
Okay, so it’s not about me. But it is a good song. And given the lyrics of the chorus — “I will fly away … from Mark” — it sounds like the anthem for every woman who ever broke up with me.
Or, if you prefer, here is a version of the song on Youtube with the lyrics translated and on screen:
July 6th, 2014 § § permalink
Typhoon Neoguri (“Raccoon”) looks like it is turning into quite a storm – currently a level 4 and heading toward level 5. Fortunately, it looks like it will bend eastward and miss Korea. At the moment my weather forecast says Okinawa and Kyushu are right in its path. Hopefully it will lose some power before making landfall.
Here is a wonderful pic I found at Weather Underground of Neoguri from high in the atmosphere. It almost looks beautiful, if only it weren’t so terrible.
June 30th, 2014 § § permalink
A reader writes:
I’d like to know why you left out the fact that TVXQ started off as a 5 member group? You included their discography from 2004 which was when they were a 5 member group. You included the fact that Jay Park was an ex-member of 2pm but you failed to include the fact that TVXQ started off as a 5 member group.
It’s distressing and disheartening for me as a long time fan from when TVXQ used to be a 5 member group to read what you wrote. I can accept JYJ not being included in your book but it’s upsetting to think that new comers to kpop may very well think that, after reading your book, TVXQ has always been a duo and that’s far from the truth.
Thanks much for writing. That is a very fair question and, as it has come up in pretty much every review of the book, one I think I’ll address now.
So, K-POP NOW! was conceived of as a positive, fun look at Korean pop music, something designed for the fans. I was asked to write it in April 2013 by Tuttle Publishing, so we put together a list of groups that we thought needed to be covered, as well as other subjects fans might like to read about.
Then I approached the K-pop labels about getting their help (for photos and information about the groups). Some never answered, a couple just said “no,” while most were very nice about the process. Of those who said “yes,” some just sent me photos and disappeared, while others had a few small comments about the write-ups. SM Entertainment was the most active in the process.
Which I totally understand. SME is the biggest company in K-pop, and their groups are the label’s lifeblood. SME was very active in checking for errors big and small (which, given the 4 Minute typos, I really appreciated). They also had strong opinions about how they wanted their groups presented.
Now, I was not interested in embarrassing anyone or making anyone look bad, and I know that the whole TVXQ history is a very sensitive one, so I tried to write a very positive article on the band, which mentioned them starting as a five-member unit, then transitioning to a duo. I did not mention anything controversial about what happened and just looked at the positive — i.e., that everyone is doing well now, and fans have a lot of great music to choose from.
However, SM Entertainment did not like that approach. They were worried that any mention of the group’s history would upset the fans. I tried being flexible, and repeatedly pointed out that not addressing the group’s history at all would likely just draw attention to what happened and upset people more. But, in the end, SME had its approach and was firm. So that is how we ended up with the book the way it is.
Oh, and I clearly do like JYJ, as I specifically mentioned Joonsu’s “Incredible” in my look at 2013 K-pop. But they slipped through the cracks when I was writing and did not make the book. Originally, I intended to have a big section briefly looking at the history of K-pop and all the big groups that have come and gone. Unfortunately, securing photo rights for older acts turned into a nightmare, so the whole section was dropped. Which I think made the book a bit unbalanced.
K-pop is constantly changing, with new groups rising up, while former leaders often settle down and become more established, with a core group of long-time fans. There are many groups I would have chosen differently had I been writing the book now and not in the middle of 2013, as I’m sure I would change again in 2015.
Anyone who feels that their band was overlooked or shortchanged, well, I never intended to hurt your feelings. What I wrote was one person’s view of K-pop at a specific moment in time. Someone else might write something very different, as I would if I were writing today (and, as I did in 2008 with POP GOES KOREA, a book that was more serious and explored issues with idols and their labels more in-depth).
Anyhow, if we ever make a 2nd edition of K-POP NOW!, I’m sure there will be plenty of changes. In the meantime, I’ve switched my focus into fiction, and am excited to have my first novel on the way (coming in early 2015, I think). But for anyone who has read or bought my first books, I’m really thankful.
June 28th, 2014 § § permalink
It’s been a long wait, but Snowpiercer has finally come to movie theaters in the United States. Unlike me, most reviewers in the US seem to quite like the film. Rottentomatoes has the film at 92% fresh so far, while Metacritic gives it an 84. Not bad at all.
I’m still not a fan of Bong Joon Ho’s latest. But I guess I can see how many critics might appreciate the change of pace, coming after so many, so similar Hollywood blockbusters.
UPDATE: Ah, there are the numbers. Snowpiercer made $162,000 from just EIGHT screens. That’s a per-screen average of $20,000, which is considered very good. Expect to see the film’s rollout expand new week, but probably not that much.
June 24th, 2014 § § permalink
I remember going to an online policy conference in Korea years ago that ended up with me and some representative of the IFPI discussing copyrights and whatnot. I took my usual line, that filesharing and the like overall helps music and art. He responded with what he thought was a great rebuttal, asking me how I would feel if my book were pirated (I only had one book to my name at the time).
At the time, book piracy was pretty obscure compared to music piracy, but I could tell he really thought he had a home run counterargument. Unfortunately for him, I didn’t really care about such things. Heck, if someone were pirating my book, at least that meant they were reading it — score one for me.
(I’m sure my publishers would disagree, but our interests are somewhat different).
Jump ahead a few years, and I was zipping around the Internet the other day, looking for reviews of my books — and lo and behold, I did indeed find download sites for both K-POP NOW! and POP GOES KOREA. Yay! I feel so wanted.
Anyhow, here are a couple of reviews for K-POP NOW! that I found:
Plus you can see me on the South Korea episode (“Travel to the Future”) of ESCHAPPEES BELLE
, from France TV5 (well, if you live in France, that is).
Plus I’m happy to say that I’ll be talking about my books and K-pop at the end of July (official announcement to come soon) and that charming Colin Marshall of the Notebook on Cities and Culture blog recently interviewed me for his podcast (hopefully that link will also come soon.
May 31st, 2014 § § permalink
On my way to work the other morning, I was pleasantly surprised to see some ads for Akdong Musicians (aka “Akmu”) on the walls of the malls by the subway.
Anyhow, it is nice to have a job where I get to walk by the new Dongdaemun Design Plaza every day. The architecture really can put you in a great mood.
And, since I am posting pics, here is a photo from Seongneomeojip, a chicken restaurant up in the hills of Seongbuk-dong. I’m not a fan of dalkdoritang (chicken in a spicy soup), but this place has really excellent dalkdoritang. And some amazing atmosphere. A great place to eat and drink makgeolli with friends.
May 25th, 2014 § § permalink
A couple of years ago, I read Peter Watts’ Blindsight and discovered a new favorite science-fiction author. It was the story of a first-contact with alien life situation, with the Earth sending a small ship filled with broken people out to the edge of the solar system to learn about this alien race. It was also very hard s/f, with a lot of ideas about biological systems – not only were the aliens very alien, but the humans sent out to deal with them had been heavily modified, too.
Then last December, I was lucky enough to enjoy a few beers with Peter in a Toronto pub. He was great fun to talk with, and he even showed us the current state of his leg, post-operation for the flesh-eating bacteria problem he famously had a couple of years ago. Gnarly good fun.
Now I’m going through some of his earlier works. His first novel, Starfish, is also about highly damaged people in a high-stress situation (the bottom of the ocean in this case), dealing with bizarre life forms (thermophiles that grow along deep-sea vents).
And I’m reading his collection of short stories called Beyond the Rift, which so far has also been good fun.
Note: Most (all?) of Peter’s stuff is available on his website with a Creative Commons License, so you can read it for free. I doubt any of my publishers would be so accommodating, but I think it is a great idea. The problem for most authors in this world is exposure, so getting the word out is far more important than a couple of dollars of royalties (and for most authors, royalties really are just a couple of dollars). Once you’ve realized how good Peter’s stuff is, you’ll probably be happy to buy a few copies.
Peter’s new book, Echopraxia (a sequel to Blindsight), is coming out in August. Yay.
May 5th, 2014 § § permalink
In these early days since K-POP NOW came out on Amazon.com, it is pretty interesting to see the various ways the book turns up on the book giant’s data trackers. For instance, it has been doing well on the Travel > Asia > Japan category (peaking at No. 1, now at No. 6).
Now K-POP NOW is turning up on Amazon’s Hot New Releases category — turning up as the No. 15 for Pop Culture > General (and No. 22 for Pop Culture overall).
Note: I assume the book won’t stay at those links for long. So here is a screen grab:
May 1st, 2014 § § permalink
Well, I’m no expert on these things, but so far it looks like the Amazon.com rollout of K-POP NOW! is going fairly well. We have a couple of reviews there so far (big thanks for those) and sales, while bouncing around a bit, are now around 6,600th — that’s the highest I’ve ever been there.
Meanwhile, over on Goodreads, 17 people have given K-POP NOW a rating and 319 have marked it “to read.” All very cool.
In addition, the popular American radio program Marketplace was nice enough to have a little segment about my book. Big thanks to Kai Ryssdal and everyone at the show who made it happen (especially thanks to Bridget!). You can listen to the interview here:
UPDATE: I just checked out Amazon.ca and there K-POP NOW! is up to 3,100. Yay, Canada. Strangely, though, Amazon says it is the No. 1 travel book for Japan. Wth?